ABSTRACT: Drawing an equivalence analogy between the subjects of style and the ornamentation, the study leans on Aloïs Riegl& (...)
Read moreRevitalizing and Transmitting Heritage and Local Memories: Building Collaborative Processes Between Design and Crafts
ABSTRACT: The purpose of this communication is to present a collaborative project founded in fostering interdisciplinary dialogue in formal, informal and culturally plural learning contexts, considering educational practices and projectual alternatives to the non-participatory model, centered in the classroom. We intend to undertake ways of projecting in the future the material and immaterial heritage and memory kept within human and material diversity. Product designers are conventionally educated to read, understand and work in obedience to norms. The norm denies the unique and diverse. (...)
Read moreDesign and Nature, a complex relationship
RESUMEN: A lo largo de su historia, el diseño nunca ha perdido de vista la naturaleza como término de comparación, a veces tomándola, a veces alejándose de ella. Para investigar la compleja relación entre los dos términos, diseño y naturaleza, no podemos ignorar la evolución del hombre y cómo ha sido profundamente influenciada por la innovación tecnológica, que es el resultado más evidente de la ciencia. Trazando una línea evolutiva del pensamiento del diseño, se puede registrar una doble (...)
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